This film provides a broad overview of !Kung life, both past and present, and an intimate portrait of N!ai, a !Kung woman who in 1978 was in her mid-thirties.

1980年代，华北某农村。为给哥哥换亲，金香（宋茹惠 饰）被迫嫁给了一个哑巴。小凤（张闽 饰）和来子妈（张文蓉 饰）进城做小买卖途中，遇见偷跑出来的金香，她们一起进了城。初次进城的乡下女人免不了被人骗，三人一合计，干脆座火车到了重庆。初次下海，每人赚到一些钱，金香和小凤总想吃点好的穿点好的，来子妈却一分钱不舍的花，日夜思念家乡的儿子。一个偶然的机会让她们看到商机，她们决定用腈纶线织毛裤销往附近的工地。小凤结识了工地上一小伙（何振军 饰），很快双双坠入爱河。经过一番打拼，每个人手中都有了不少积蓄，她们决定“衣锦还乡”，不知道村里人怎么看她们呢......

A feature film composed of eight short film segments. The segments will be inspirational and empowering stories directed by a diverse and international group of women filmmakers, and will take place all over the globe.

电影是对一位身患癌症的老妇弥留时光的细致刻画。本片女主角，澳大利亚著名女演员Sheila Flogrance在拍摄此片时也已经罹患癌症，她动人的表演也让人唏嘘不已，亦凭本片荣获1991年澳洲电影学院奖最佳女主角奖，而她也在得奖七天之后辞世。

影片讲四个同住一间宿舍的女大学生，都是学习表演的学生，她们的作业是学习一部名叫《双重不忠》的剧本，结果剧中情节对她们的真实生活产生奇妙的影响，尤其是她们如何处理爱情、性欲、信任、背叛、犯罪、艺术等人生课题。

故事发生在我国西南边陲。深山里有一个与世隔绝的村寨，寨中男女生下孩子，须在满月时占卜，根据卦来决定是否能够结婚。伊娜生完孩子后，其占卜的卦表明她不能和孩子的父亲岩罕成婚。不得已双方退回当初各自交换的信物，这表明今生今世再无成婚的可能。孩子生病，巫师给治死了。有天深夜，依波将喝醉的岩罕拖入其所住小屋，趁其不清醒宣布俩人正式建立男女关系。岩保则趁夜色窜至伊娜处，欲以实施即成事实，遭伊娜拒绝，不死心的岩保夺走伊娜的银项圈。第二天，人们在水中发现岩保的尸体。数月后依波生下双胞胎，被族人视为邪魔转世……

影片同时展现了人类的丑恶和欲望。患有麻痹症被家人抛弃，数年间躺在养老院的一个老女某天突然被接回了家，谁料她的家人另有目的...

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.